‘When The Last Letter Is Gone / The Last of The Demons Is Done’

Isac Bashevis Singer (circa 1980), photo: Gotfryd Bernard

I. B. Singer’s short story ‘The Last Demon’ appears on the surface to be exactly what it says it is: a (very) short story about a demon that is the last of his kind dealing with the quandary concerning what demons should do and why there even should be demons when ‘man himself is a demon.’ Much the same way as Adorno once deemed it, if not as often claimed but later rebuked or nuanced impossible, as ‘barbaric to write poetry after Auschwitz,’ to which Primo Levi chimed in and said, ‘After Auschwitz, it is no longer possible to write poetry except about Auschwitz.’

Fortsätt läsa ”‘When The Last Letter Is Gone / The Last of The Demons Is Done’”

It “May Be Pointless or Even Criminal,” But They “Still Operate on Infants,”

“Chronicle of a Single Day.” is a text from the volume Voices from the Warsaw Ghetto (written in the Warsaw Ghetto in August 1941 and here read in the English translation) whose reoccurring themes are hunger and confinement. The text in question is undoubtedly the most literary in this volume; it refers openly to Thomas Mann’s The Magic Mountain and nods to many other literary texts; the ramblings and wanderings of both the body and the mind of the protagonist make one think of James Joyce’s Ulysses, where the main protagonist Leopold Bloom is not starving, but all the same in Episode Four of the book obsessed with items of food, with kidneys and other intestinal, and carries them around with him; much in the same way as this text’s protagonist figuratively speaking carries with him, and during his walks confronts with, those who are already dead and those who are not yet dead (which seems, despite some alluding to former and present societal divides, like the mentioning of the ricksha-carried chair of the Judenrat, to be the only two categories of people still left); to the flesh that already is or soon shall become grass (Isaiah 40:6).

Fortsätt läsa ”It “May Be Pointless or Even Criminal,” But They “Still Operate on Infants,””

The Children Take their Revenge

Still depicting the two Kelink from ”Unzere Kinder”.

Already in one of the first scenes of the film Unzere Kinder (that follows after the newsreel prologue that depicts the harsh reality of Jews being mass-deported to the Auschwitz extinction camp and what happened to them and their belongings there), the children from the orphanage who belong to the minimal number of surviving Polish-Jewish children protest and confront the two from the exile in the Soviet Union returning, Kleinkünstler who essentially are playing themself and in a sketch perform a sentimentalized version of the wartime events (“because that is not how it was”), opens up the divide (in the context of the film) between the children who were forced to become survival artists (compare the quote from one of the boys, “It was my job to trick the German gendarmes”) and the returning artists who survived the war exiled deep into Soviet Russia.

Fortsätt läsa ”The Children Take their Revenge”

Morals and Mores of the Warsaw Ghetto

One of the milk cans used to hide documents. From the Ringelblum ”Oyneg Shabbos” Archive.

This article is about the declining morals and mores of the Jewish inhabitants in the wartime Warsaw Ghetto that was presumably written on 4th July 1942. It is derived from the “Street” section of Volume One of The Ringelblum Archive Underground Archive of the Warsaw Ghetto (Published by Żydowski Instytut Historyczny im. Emanuela Ringelbluma; Warsaw). The text is attributed to Stanisław Różycki, and its complete title in translation reads as follows: “4th July. Warsaw, ghetto. A study [of] ‘Ulica’ [The Street]. The appearance and the social life of the street in the ghetto” (hereafter referred to as the Morality of the Street). The original text is written in Polish and on the archive’s website, described as: ”handwritten, notebooks, ink, Polish, 150×197 mm, 31 sheets, 31 pages”. In the transcribed and translated (to English) form I am analyzing and quoting here [insert link to the full source text]), the text consists of around 8.800 words, including footnotes, spread over 19 A4 pages.

Fortsätt läsa ”Morals and Mores of the Warsaw Ghetto”

It is not even the beginning of the end. But it is, perhaps, the end of the beginning

THE YIDDISH POET AVROM SUZKEVER.

When one reads the poem “Grains of Wheat” by Avrom Sutzkever (written in the ghetto of Vilna and here read and analyzed in English translation, see here for the full text) and stumble upon the line “As if protecting a baby -,/I run with the Yiddish word,” is it hard not to start associating to the poet’s firstborn child that was slaughtered in the ghetto the day after he was born; the child was just alive so long it took for the mother of the poet to forget that her grandchild was doomed to be killed from the moment he was born, the same way as Herod once “killed all the male children in Bethlehem and in all that region that were two years old or under” (Matthew 2:16). Maybe it is during this short time, during this split second of dissonance, that the poem is written, that the poem takes place. The poet may be unable to save his Jewish child but is now trying to save the Yiddish word (and all that is written with it and within it) with his written words. 

Fortsätt läsa ”It is not even the beginning of the end. But it is, perhaps, the end of the beginning”

#6 LEDARE/EDITORIAL FÖRINTELSENS KULTURELLA AVTRYCK/CULTURAL RESPONSES TO THE HOLOCAUST

Efter en längre tids uppehåll på grund av pandemi och andra omständigheter är det nu äntligen dags för ett nytt nummer av Kokpunkten I Critical Point – den här gången bestående av fem texter som alla på olika sätt kretsar kring förintelsens kulturella avtryck med utgångspunkt i de på senare tid i allt större utsträckning digitaliserade, översatta och tillgängliggjorda samlingarna från arkiven som fördes i gettona i Lodz, Vilnius och Warszawa under andra världskrigets senare år.

Texterna är vidareutveckling i essäform av de texter som en av tidskriftens redaktörer, Öyvind Vågen, arbetade fram när han hösten 2023 deltog i seminarier knutna till kursen ”YIDC03, Jewish Cultural Responses to the Holocaust, 15” vid Lunds universitet.

Eftersom såväl texterna som källmaterialen som de bygger på till största del är skrivna på eller finns tillgängliggjorde i engelskspråkig form, publiceras de här på engelska. Dessutom innehåller det här numret ytterligare två texter (som båda är skrivna på svenska) – en om den svenska kompositren Lisa Streich som nyligen hyllades med en festival i Konserthuset i Stockholm och en troende konstnärs syn på den troende konstnären William Blake.

After a long pause due to the pandemic and other circumstances, it is finally time for a new issue of Kokpunkten I Critical Point–this time consisting of five texts that all in different ways revolve around the cultural responses to the Holocaust. They are all based on the recently increasingly digitised, translated and made available collections from the archives that were kept in the ghettos of Lodz, Vilna and Warsaw during the later years of World War II.

The texts are a further development in essay form of the texts that one of the journal’s editors, Öyvind Vågen, worked on when he participated in seminars linked to the course ”YIDC03, Jewish Cultural Responses to the Holocaust, 15” at Lund University in autumn 2023.

Since both the texts and the source materials on which they are based are largely written in or available in English, they are published here in English.

This issue contains five texts on the cultural responses to the Holocaust as well as two other texts – one containing an artist’s view on Wiliam Blake and one about a music festival dedicated to the Swedish composer Lisa Streich.

Öyvind Vågen: It is not even the beginning of the end. But it is, perhaps, the end of the beginning

Öyvind Vågen: When The Last Letter Is Gone / The Last of The Demons Is Done’

Öyvind Vågen: The Children Take their Revenge

Öyvind Vågen: It ’May Be Pointless or Even Criminal,’ But They ’Still Operate on Infants,

Öyvind Vågen: Morales and Mores of the Warszaw Ghetto

Carolina Hindsjö: William Blake – en troende konstnär om en troende konstnär

Andreas Engström: Musik med unikt anslag